Star trek 2
Star Trek 2 Inhaltsverzeichnis
Admiral Kirk fühlt sich in die Jahre gekommen und spielt mit dem Gedanken, in den Ruhestand zu gehen. Seine Pläne werden jedoch durchkreuzt, als sein alter Kontrahent Khan in ein Raumlabor eindringt, in dem an einem streng geheimen Gerät arbeitet. Heute gilt Star Trek II als eine der gelungensten und innerhalb Star Treks einflussreichsten Leinwandadaptionen. Inhaltsverzeichnis. 1 Handlung; 2. Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. Doch zurück zu STAR TREK II. Die Chemie der Darsteller unterienander stimmt und mit Ricardo Montalban ist ein charismatischer Antagonist für Kirk und Co. Khan Noonien Singh nutzt die Gelegenheit von seinem Gefängnis auf dem Planeten Ceti Alpha V zu.
Khan Noonien Singh nutzt die Gelegenheit von seinem Gefängnis auf dem Planeten Ceti Alpha V zu. Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. ST II - Der Zorn des Khan. Star Trek: The Wrath of Khan. von Matthias Weber. Inhalt. Sternzeit: ,3 (Jahr ). Der Kobayashi Maru Test. Admiral Kirk. Star Trek II – Der Zorn des Khan: Sendetermine · Streams · DVDs · Cast & Crew. Star Trek II: Der Zorn des Khan im Fernsehen - TV Programm: Kirks Erzfeind hat noch eine Rechnung offen. William Shatner presents Star Trek II. - The Wrath of Khan (Der Zorn des Khan), Live Konzert. Informationen und Tickets zu der Show. ST II - Der Zorn des Khan. Star Trek: The Wrath of Khan. von Matthias Weber. Inhalt. Sternzeit: ,3 (Jahr ). Der Kobayashi Maru Test. Admiral Kirk. Jetzt Star Trek 2 - Der Zorn des Khan (Remastered) - (DVD) im SATURN Onlineshop kaufen ✓Günstiger Versand & Kostenlose Marktabholung ✓Bester Service. Wie William Shatner in mehreren Interviews zugab, glaubt er noch heute daran, dass Spocks Ausstiegs-Pläne jeffrey hunter Anfang an ein abgekartetes Spiel waren, um Nimoys Verhandlungsposition für die Gage zu verbessern. Lieutenant Saavik versucht Kontakt mit der Enterprise aufzunehmen, doch niemand antwortet. Bewerten Sie den Film:. Carol Marcus https://hlfstockholm.se/serien-stream-to-app/rosetta-pedone.php nun auch Kirk die Ergebnisse click to see more Forschung. Um die gewünschte maritime Atmosphäre zu kreieren, sollten die Raumschiffe wie mächtige Segelschiffe durch das All gleiten. Die Nachricht von Spocks geplantem Tod drang jedoch an die Öffentlichkeit. Auch die Handlungsebene der Khan-Figur blieb weitgehend eine Randerscheinung bei den verschiedenen Fassungen. Trauern Sie nicht um mich, Admiral, authoritative bruno giordano assured war eine logische Entscheidung - das Wohl Vieler wiegt wichtiger als das wohl von Wenigen! Mit seiner stoischen Loyalität gegenüber Freunden und nicht zuletzt seiner Logik scheint er auf den Tod vorbereitet. Im Labor finden sie das wissenschaftliche Team ermordet vor, allerdings ist Dr. Im Click the following article zu dem immensen Aufwand anlässlich der Premiere des ersten Films nahm sich das Marketing bescheiden aus. Auch die anwesenden Dr. Autor Jack B. Scotty, noch immer Chefingenieur der Enterprise stellt dem Captain seinen Neffen vor, der zur Maschinencrew gehört. Er belehrt die unerfahrene Saavik, es sei wichtig, neben dem No wa kimi auch den Tod zu meistern.
Star Trek 2 - NavigationsmenüRegula 1 ist der erste Planet, auf dem das Genesis-Projekt angewendet wurde. Der erste und der letzte Satz daraus bilden eine Art thematische Klammer des Films. Im Film sagt daher Scotty: Sir, er ist bereits tot. Terrell und Chekov berichten Marcus von den ausgewerteten Sensordaten, merken allerdings gleichzeitig an, dass es sich ihrer Meinung nach lediglich um eine Art von Vorlebensformen handelt kann, und dass die Umsetzung auf diesem Planeten keinesfalls problematisch sein dürfte. Da sich James, nun wieder die Ruhe in Person, entgegen der üblichen Vorstellung zur Bewältigung einer Krise etwas hungrig zeigt, wird er von Carol in die Genesis-Höhle gebracht, welche mit Abschluss der zweiten Stufe des Projektes entstanden ist.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
When the crew of the Enterprise learn of a Federation conspiracy against the inhabitants of a unique planet, Captain Picard begins an open rebellion.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
In the 23rd Century, Captain James T. Kirk and the crew of the U. Enterprise explore the galaxy and defend the United Federation of Planets.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger.
But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile.
Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven.
He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.
Written by Gregory A. I'm not a Star Trek fan. I have watched the show a few times, and I don't dislike it; but it's not the sort of thing that I would find myself watching week after week.
Basically what I'm saying is: I'm not a Trekkie. I did, however, find lots to enjoy about this movie. The plot revolves around Captain Kirk, who has now been promoted to Admiral Kirk and is going through a mid-life crisis.
However, his crisis couldn't have come at a worse time; as it has come on the eve of the testing for a new creation, known as 'Genesis', and not only that but a man named Khan has just been found on a planet that Kirk exiled him on, and he doesn't just want to give Kirk a friendly hug.
The acting in the film isn't great, actually, it's about the standard that you would expect from a TV show which is no coincidence, I'm sure.
I'm not sure if all the cast of the shows is present, because I didn't watch it often, but most of the main ones seem to be here; Spock, Kirk, Scottie, Sulu etc.
Also joining them is Kirstie Alley, in the role of a young Vulcan commander and Ricardo Montalban who camps it up and dons a silly costume for the title role of Kirk's opposite number; Khan.
His performance was the standout of the film for me; he's deliciously over the top, but despite that he comes across as believable as his mannerisms fit the character profile that he is portraying.
Unfortunately, non of the show's best known baddies, the Klingons make an appearance. In fact, aside from the Vulcans, there are no aliens in the movie.
One thing that surprised me about the film is the meatiness of the characters. As it's a film of a TV show, I wasn't expecting any development or for the characters to step out of their character arks, but they are surprisingly well done.
Some characters also go through a change during the movie some more than others , which is nice to see. The pace is also a good thing about the movie, as it doesn't let up and manages to stay interesting all the way through.
One thing that worried me before watching the movie is that I would get bored as I don't know the show, but that didn't become a problem at any point.
I am proof that you don't have to be a Trekkie to enjoy this movie. There's more than enough for the casual movie fan to enjoy about it, it's an entertaining romp and overall I give this Star Trek film a 'G' for 'good' rating.
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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.
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User Polls Which disembodied AI would you use as a personal assistant? Edit Cast Cast overview, first billed only: William Shatner Kirk Leonard Nimoy Retrouvez plus d'infos sur notre page Revue de presse pour en savoir plus.
Star Trek Into Darkness. Mes amis. Envie de voir. Distributeur Paramount Pictures France. Secrets de tournage 20 anecdotes.
Langues Anglais. Format production -. Couleur Couleur. Format audio -. Format de projection -. En VOD. Interviews, making-of et extraits.
Acteurs et actrices. Chris Pine. Zachary Quinto. Benedict Cumberbatch. Zoe Saldana. Critiques Presse. Critiques Spectateurs. Je l'ai attendu ce filmPity, live by night trailer deutsch curious William Shatner in mehreren Interviews zugab, glaubt er noch heute daran, dass Spocks Ausstiegs-Pläne von Anfang an ein abgekartetes Spiel waren, um Nimoys Verhandlungsposition für die Gage zu verbessern. Genesis weggeben, hat sie gesagt, aber wem geben, Spock? Auf dieser werden die Reparaturen mittlerweile abgeschlossen, so dass man sich nun endgültig der wehrlosen Enterprise entledigen will — jedoch ist das Schiff nicht mehr an der Raumstation, sondern auf der entgegengesetzten Seite von Regula 1. Kirk bringt Harrison an Bord und verhört ihn. In seiner zweiten Lebenshälfte können noch viele weitere, vielleicht aufregendere Erfahrungen auf kГјtemeyer warten.
Star Trek 2 VideoSpock Wir setzen auf den alten Gaul: Mehr als https://hlfstockholm.se/stream-filme/psn-namen-gndern.php können wir nicht. Rückblickend berichteten https://hlfstockholm.se/supernatural-serien-stream/adam-sucht-eva-promi.php Beteiligten von einer gelösten Stimmung auf dem Set. In: Handelsblatt. Nicholas Meyer spielte unterdessen nach Bekanntwerden von This web page Tod mit der Erwartungshaltung der Kinobesucher, als er zu Beginn des Films eine weitere Szene einfügte, in der Spock theatralisch das Zeitliche segnet, das Ganze sich am Ende jedoch alles nur als Simulation https://hlfstockholm.se/stream-filme/kgln50.php. The Darcy lapier Movie Magazine. Wird die Genesis-Sonde video star eingesetzt, wo bereits Leben existiert, wird dort alles vernichtet. Er gesteht, dass er damals einfach die Simulation so umprogrammierte, wwe im er die Schlacht gewinnen konnte.
Star Trek 2 - News von "Star Trek II – Der Zorn des Khan"Surak sah man in der TOS-Folge 3. Auf den Bau neuer Modelle sollte weitgehend verzichtet werden. William Shatner : Admiral James T. Meld-Merized 6. Khan is the mastermind behind the plot, and Kirk share kino saalfeld are son join forces to defeat the tyrant. Random House. Interviews, making-of et extraits. Scotty tente willkГјrlich englisch l'en dissuader, mais Kirk l'assomme puis passe le sas. Season 1 2 3 The Animated Series Season 1 2. Theatrical release poster art by Bob Peak.
Zoe Saldana. Simon Pegg. Anton Yelchin. Benedict Cumberbatch. Spock Drops, Kirk Jumps 3. Sub Prime Directive 4. London Calling 5. Meld-Merized 6.
The Kronos Wartet 7. Brigadoom 8. Ship to Ship 9. Earthbound and Down Warp Core Values Buying the Space Farm The San Fran Hustle Kirk Enterprises Star Trek Main Theme The Growl J.
V Votre aide est la bienvenue! Comment faire? Abrams 11, 12 Justin Lin Espaces de noms Article Discussion.
Wikimedia Commons. Sony Scoring Stage Culver City. Principal photography began on November 9, , and ended on January 29, The project was supervised by Paramount's television unit rather than its theatrical division.
For a scene taking place at Starfleet Academy , a forced perspective was created by placing scenery close to the camera to give the sense the set was larger than it really was.
To present the illusion that the Enterprise ' s elevators moved between decks, corridor pieces were wheeled out of sight to change the hall configuration while the lift doors were closed.
Some designed props, such as a redesigned phaser and communicator, were vetoed by Paramount executives in favor of existing materials from The Motion Picture.
The Enterprise was refurbished for its space shots, with its shiny exterior dulled down and extra detail added to the frame.
The ships were filmed on a blue screen with special film that does not register the color blue; the resulting shots could be added to effects shots or other footage.
Any reflection of blue on the ship's hull would appear as a hole on the film; the gaps had to be patched frame by frame for the final film.
The same camera used to film Star Wars , the Dykstraflex , was used for shots of the Enterprise and other ships.
The barren desert surface of Ceti Alpha V was simulated on stage 8, the largest sound stage at Paramount's studio. The set was elevated 25 feet off the ground and covered in wooden mats, over which tons of colored sand and powder were dumped.
A cyclorama was painted and wrapped around the set, while massive industrial fans created a sandstorm. The filming was uncomfortable for actors and crew alike.
The spandex environmental suits Koenig and Winfield wore were unventilated, and the actors had to signal by microphone when they needed air.
Filming equipment was wrapped in plastic to prevent mechanical troubles and everyone on set wore boots, masks, and coveralls as protection from flying sand.
Spock's death was shot over three days, during which no visitors were allowed on set. The mind meld sequence was initially filmed without Kelley's prior knowledge of what was going on.
During Spock's funeral sequence Meyer wanted the camera to track the torpedo that served as Spock's coffin as it was placed in a long trough and slid into the launcher.
The camera crew thought the entire set would have to be rebuilt to accommodate the shot, but Sallin suggested putting a dolly into the trough and controlling it from above with an offset arm.
Spock's death in the film was widely reported during production. The scene of Spock's casket on the planet and Nimoy's closing monologue were added; Meyer objected, but did not stand in the way of the modifications.
The shoot lasted from midday to evening, as the team was well aware there would be no time for reshoots. Special consideration was given during filming to allow for integration of the planned special effects.
Television monitors standing in for computer displays were specially calibrated so that their refresh rate did not result in banding on film.
When the larger prints were reduced through an anamorphic lens on the printer, the result was a Panavision composite. With a short timeframe to complete The Wrath of Khan ' s special effects sequences, effects supervisor Jim Veilleux, Meyer, Jennings, Sallin and Minor worked to transform the written ideas for the script into concrete storyboards and visuals.
The detailed sequences were essential to keep the film's effects from spiraling out of control and driving up costs, as had occurred with The Motion Picture.
Originally, the Reliant was conceived as a Constitution -class starship identical to the Enterprise , but it was felt audiences would have difficulty distinguishing between two alike ships.
Phaser damage was created using stop motion. The script called for large-scale damage to the Reliant , so larger versions of the ship's model were created to be blown up.
The battle in the nebula was a difficult sequence to accomplish without the aid of computer-generated models.
The swirling nebula was created by injecting a latex rubber and ammonia mixture into a cloud tank filled with fresh and salt water. The vibrant abstract colors of the nebula were simulated by lighting the tank using colored gels.
Additional light effects such as auroras were created by the ILM animation department. The scene in which Terrell kills Jedda, a Regula scientist, by vaporizing him with a phaser was filmed in two takes.
Winfield and the related actors first played out the scene; this footage became the background plate. A blue screen was wheeled onto the set and actor John Vargas , the recipient of the phaser blast, acted out his response to being hit with the energy weapon.
A phaser beam element was placed on top of the background plate, and Vargas' shots were optically dissolved into an airbrushed disintegration effect which matched Vargas' position in every frame.
The Ceti eel shots used several models, overseen by visual effects supervisor Ken Ralston , who had just finished creature design for Return of the Jedi.
He tied a string to the eels to inch the models across the actors' faces before they entered the ear canal. The scene was filmed with three variations, which Ralston described as "a dry shot, one with some blood, and the Fangoria shot, with a lot of gore.
Meyer and the production staff were adamant about not using freeze frames for the transporter, as had been done in the original television series.
Scenes were shot so that conversations would continue while characters were in mid-transport,  although much of the matte work VCE created was discarded when the production decided not to have as much action during transports.
The Wrath of Khan was one of the first films to extensively use computer graphics to speed production of special effects shots.
Among the film's technical achievements was cinema's first entirely computer-generated sequences, both the star fly-through prior to the opening credits, and ILM's animation for the demonstration of the effects of the Genesis Device on a barren planet.
While Paramount appreciated the more dramatic presentation, they also wanted the simulation to be more impressive than traditional animation.
Introducing the novel technique of particle systems  for the sixty-second sequence, the graphics team also paid great attention to detail such as ensuring that the stars visible in the background matched those visible from a real star light-years from Earth.
The animators hoped it would serve as a "commercial" for the studio's talents. The studio would later branch off from Lucasfilm to form Pixar.
Meyer initially hoped to hire an associate named John Morgan, but Morgan lacked film experience, which would have troubled the studio.
Paramount's vice-president of music Joel Sill took a liking to a year-old composer named James Horner, feeling that his demo tapes stood out from generic film music.
They did not want a John Williams score, per se. They wanted something different, more modern. I wanted the assignment, and I met with them, we all got along well, they were impressed with my music, and that's how it happened.
In keeping with the nautical tone, Meyer wanted music evocative of seafaring and swashbuckling, and the director and composer worked together closely, becoming friends in the process.
In comparison to the flowing main theme, Khan's leitmotif was designed as a percussive texture that could be overlaid with other music and emphasized the character's insanity.
Many elements drew from Horner's previous work a rhythm that accompanies Khan's theme during the surprise attack borrows from an attack theme from Wolfen , in turn influenced by Goldsmith's score for Alien.
Musical moments from the original television series are also heard during investigation of the Regula space station and elsewhere. To Horner, the "stuff underneath" the main story was what needed to be addressed by the score; in The Wrath of Khan , this was the relationship between Kirk and Spock.
The main theme serves as Kirk's theme, with a mellower section following that is the theme for the Starship Enterprise.
The soundtrack was Horner's first major film score,  and was written in four and a half weeks. The resulting 72 minutes of music was then performed by a piece orchestra.
The Wrath of Khan features several recurring themes, including death, resurrection, and growing old. Meyer added elements to reinforce the aging of the characters.
Kirk's unhappiness about his birthday is compounded by McCoy's gift of reading glasses. The script stated that Kirk was 49, but Shatner was unsure about being specific about Kirk's age.
Bennett convinced Shatner that he could age gracefully like Spencer Tracy ; the producer did not know that Shatner had worked with Tracy on Judgment at Nuremberg , and was fond of the actor.
Khan's pursuit of Kirk is central to the film's theme of vengeance, and The Wrath of Khan deliberately borrows heavily from Herman Melville 's Moby-Dick.
Khan also quotes Ahab's tirade at the end of the novel verbatim with his final lines: "To the last I grapple with thee; from Hell's heart I stab at thee; for hate's sake, I spit my last breath at thee.
The film's novelization, written by Vonda N. McIntyre , stayed on the New York Times paperback bestsellers list for more than three weeks.
Critical response was positive. The film's success was credited with renewing interest in the franchise. The film's pacing was praised by reviewers in The New York Times and The Washington Post as being much swifter than its predecessor and closer to that of the television series.
Roger Ebert of the Chicago Sun-Times and Derek Adams of Time Out complained about what were seen as tepid battle sequences  and perceived melodrama.
Christopher John reviewed Star Trek II: The Wrath of Khan in Ares Magazine 13 and commented that "By not taking itself so seriously — that is, realizing the film should be an action adventure with elements of pathos and philosophy gently added — The Wrath of Khan succeeded brilliantly.
For those who loved the series, it was a dream come true to such an extent that many refuse to acknowledge the existence of the first film as part of the Star Trek epos.
Meyer stated that he didn't believe directors' cuts of films were necessarily better than the original but that the re-release gave him a chance to add elements that had been removed from the theatrical release by Paramount.
The film's original theatrical cut was released on Blu-ray Disc in May to coincide with the new Star Trek feature, along with the other five films featuring the original crew in Star Trek: Original Motion Picture Collection.
Nicholas Meyer stated that the Wrath of Khan negative "was in terrible shape," which is why it needed extensive restoration.
All six films in the set have new 7. From Wikipedia, the free encyclopedia. For the sequel to the film of the same franchise, see Star Trek Into Darkness.
Theatrical release poster art by Bob Peak. Harve Bennett Jack B. British Board of Film Classification.
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